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You Got To Reap Everything You Sow Stormy Seas Mean Ole Airplane Working Overtime Key To The Highway Up All Night Thinking I Can't Be Satisfied Twenty Years Crazy Kind Of Woman Berwick Road Additional Information All songs by Dave Hole , Administered by Eyeball Music, BMI except I Can't Be Satisfied (Muddy Waters, Watertoons Music, BMI) Administered by Bug Music and Key To The Highway by William Broonzy & Charles Segar, Duchess MusicCorp./Wabash Music Co.,BMI Guitar, Vocals: Dave Hole Bass: John Wilson Drums, Percussion: Rudy Miranda Keyboards: Bob Patient Produced by: Dave Hole Engineered and mixed by: John Villani at Planet Studios, Perth,Western Australia Mastered by: Dr. Toby Mountain, at Norh Eastern Digital, Southborough, MA Book front and inlay photos: Gary Peters Inside photo: Tony Davidosky Art Direction by: Peter Cunningham Art Direction for Alligator Records by: Matt Minde and David Forte Original Liner Notes Once or twice in a generation, it seems, a ferociously good slide player emerges. During the Roaring Twenties and Great Depression, Blind Willie Johnson,Tampa Red and Robert Johnson recorded unsurpassed bottleneck blues.After the war, Muddy Waters, Elmore James and Earl Hooker electrified listeners with amped-out blues. Following in their huge footsteps, roots-reverent innovators such as Duane Allman, Johnny Winter, Lowell George, and Ry Cooder conjured bottleneck magic in blues-rock arenas, each player adding his own distinctive stamp. Dave Hole , the mind-boggling slider from Down Under, belongs in such company. He's never done hard-time in the hard scrabble American South or learned first-hand from a Delta bluesman, yet Dave Hole captures an utterly blues-approved sound. He specializes in original songs that mine deep urban veins, but has no trouble heating up difficult covers. (His concert high points include a shredding Purple Haze onslide and -- far more difficult -- a harrowing Dark Was The Night, Cold Was The Ground that's precise without losing the raw.) While many bottleneck players base their styles on a few patented patterns, Dave sprays a steely fire all over the strings, navigating stratospheric leaps with the greatest of ease. A southpaw who holds the guitar like a right-hander, he defies traditional technique byplaying overhand with his slide on his left hand index finger. In another unorthodox technique, he flatpicks slide and uses a fingers-only approach for his standard playing, which recalls Stevie Ray Vaughan and a pair of Kings. Dave's magnificent debut, Short Fuse Blues, caught the attention of blues and slide lovers around the globe. Working Overtime delivers more of the same righteous truth. Jas Obrecht Guitar Player Magazine |
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